Every record I have done was because I was a person's friend. The only time we did not continue to be friends was if the record did not become a hit. If it did, we became great friends.
Nile RodgersRead
Art, well good art at least, takes you to a place you go during the experience of it, and then after you experience it you are different.
Interpretation
Good art transforms both the observer and their perspective on life.
Nile Rodgers suggests that quality art has the power to transport individuals into a different emotional or cognitive space during the experience. After engaging with art, one emerges changed, possessing a new understanding or feeling that influences their perception of the world.
In practice
In a discussion about the impact of a gallery exhibition, one might say, 'As Nile Rodgers suggests, that painting truly takes you to another place, doesn't it?'
Every record I have done was because I was a person's friend. The only time we did not continue to be friends was if the record did not become a hit. If it did, we became great friends.
I used to play flute and clarinet at school, and although I wasn't thinking about making a living or getting a pay cheque, I already knew I was going to play music all my life.
Music has to keep moving. But I was lucky. For me there was always something around the corner.
There's been this strange irony to my whole life. All my original bandmates have died, when I was the most wild and most reckless of us all. But I'm still here.
Music is the one part of the entertainment business where you can't fool anybody into buying a record.
With Sumthin Else Music Works, I wanted to spread the love and give newcomers a chance to make it because something that really helped me were all the people who had given me an opportunity when I was putting my career together.
I think that Bob Dylan knows this more than all of us: you don't write the songs anyhow. So if you're lucky, you can keep the vehicle healthy and responsive over the years. If you're lucky, your own intentions have very little to do with this.
I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
I find the greatest songs in the world come out of pain, and I don't like it! Here's what it does: It strips away all of your facade. It makes you so honest. It's cleansing.
It doesn't matter one damn bit whether fashion is art or not. You don't question whether an incredible chef is an artist or not-his cakes are delicious and that's all that matters.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
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