It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Mark RothkoRead
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
Interpretation
Art requires the viewer's engagement to fully appreciate its depth and experience.
Mark Rothko's quote emphasizes that art is not just a visual display but an invitation for the viewer to interact and explore the meanings and emotions conveyed through the canvas. Without this engagement, the spectator misses out on the essential emotional and experiential depth that the artwork offers.
In practice
During a gallery opening, I shared Rothko's words to highlight the importance of engaging with the artwork.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
When putting words together is good to do it with nicety and caution, your elegance and talent will be evident if by putting ordinary words together you create a new voice.
In the big picture I write for an audience of people I've never met. By the final draft I'm looking for anything in the prose that's prospectively boring to strangers.
It was an unwritten law that black comics were not permitted to work white nightclubs. You could sing and you could dance, but you couldn't stand flat-footed and talk; that was a no-no.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.
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