Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.
Max ErnstRead
When the artist finds himself he is lost. The fact that he has succeeded in never finding himself is regarded by Max Ernst as his only lasting achievement.
Interpretation
The quote suggests that true artistic expression often comes from a place of being lost and unresolved.
Max Ernst implies that the journey of self-discovery can lead an artist to feel lost, and this feeling of being 'lost' is what ultimately allows for genuine creativity. The artist's ability to embrace this ambiguity and uncertainty is seen as their greatest accomplishment, as it fuels their innovative spirit and artistic endeavors.
In practice
In a presentation on the creative process, one might say this quote to emphasize the importance of embracing uncertainty.
Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.
Creativity is that marvelous capacity to grasp mutually distinct realities and draw a spark from their juxtaposition.
Painting is neither decorative amusement, nor the plastic invention of felt reality; it must be every time: invention, discovery, revelation.
Collage is the noble conquest of the irrational, the coupling of two realities, irreconcilable in appearance, upon a plane which apparently does not suit them.
Every normal human being (and not merely the 'artist') has an inexhaustible store of buried images in his subconscious, it is merely a matter of courage or liberating procedures ... of voyages into the unconscious, to bring pure and unadulterated found objects to light.
Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.
Industry is best at the intersection of science and art.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.
I love having my hands in the dirt. It is never a science and always an art. There are no rules. And if it comes down to me versus that weed I'm trying to pull out of the ground that doesn't want to come out? I know I'll win.
When I'm writing a song, I try to be the character.
I have always thought of myself as a painter derailed by circumstance.
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