Life's barely long enough to get good at one thing. So be careful what you get good at.
Matthew McconaugheyRead
I love having my hands in the dirt. It is never a science and always an art. There are no rules. And if it comes down to me versus that weed I'm trying to pull out of the ground that doesn't want to come out? I know I'll win.
Interpretation
This quote expresses the joy of engaging in artistic activities without strict rules, emphasizing determination in overcoming challenges.
Matthew McConaughey's quote reflects a deep appreciation for the artistic nature of gardening, where the process is more about creativity and personal expression than following rigid scientific methods. It conveys a sense of personal triumph over obstacles, symbolized by the stubborn weed, showcasing resilience and the joy of working with nature without limitations.
In practice
In a gardening workshop, one might say, 'As McConaughey said, I love having my hands in the dirt, it's an art form.'
Life's barely long enough to get good at one thing. So be careful what you get good at.
I know who I am. And after all these years, there's a victory in that.
I don't dislike any of my exes. If I took time to form a relationship, it's gonna hurt when we move on, but are you puttin' White-Out over all that beautiful time together? That was real time in your life. It's connected to where you are today.
You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.
Kids will remind you that, even though you've gone down a road 100 times, it's brand new for them - and that's healthy.
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
There were three of us; Witkiewicz, Bruno Schulz, and myself--the three muskateers of the Polish avant-garde between the wars. Only Witkiewicz remains to be discovered.
I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
Dancing is my obsession. My life.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
The big catalyst was seeing my sister, when I was 11, doing a dramatic recital. When I saw her on the stage and everyone listening to her so patiently, quietly, that's all I wanted: for someone to look at me and listen to me, but in some beautiful and artistic way.
A sight to dream of, not to tell!
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