Reading was like a drug, a dope. The novels created moods in which I lived for days.
Richard WrightRead
The artist must bow to the monster of his own imagination.
Interpretation
An artist's creativity can be both a source of inspiration and a daunting challenge.
This quote suggests that an artist's imagination can be a powerful force, but it also brings with it a sense of responsibility and struggle. The 'monster' symbolizes the complexities and fears that arise from the creative process, highlighting that the artist must confront and embrace these challenges to produce meaningful work.
In practice
During a lecture on creativity, I shared this quote to illustrate the duality of artistic expression.
Reading was like a drug, a dope. The novels created moods in which I lived for days.
It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books.
I was not leaving the south to forget the south, but so that some day I might understand it
Hunger has always been more or less at my elbow when I played, but now I began to wake up at night to find hunger standing at my bedside, staring at my gauntly.
He had lived and acted on the assumption that he was alone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spirit.
It made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
I think of myself as a serious professor who, during the weekend, writes novels.
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
Subscribe for the occasional hand-picked quote. No noise.