There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Ava DuvernayRead
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
Interpretation
Ava Duvernay highlights the challenges women face in gaining recognition and funding in the film industry.
In this quote, Ava Duvernay emphasizes the systemic barriers that women encounter in cinema, specifically in receiving support for their creative voices. She reflects on the difficulties of securing funding and the cyclical nature of starting over, suggesting that the lack of encouragement for women's perspectives in filmmaking hinders their ability to contribute meaningfully to the industry.
In practice
This quote could be used as an opening statement in a panel discussion about women in film.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
The enemies of acting are mood and attitude and other general homogenized disruptive entities. Whereas acting is about action - doing - and unless you can figure out a way to craft in an imaginative reality to which you don't submit, you're going to be out of control. You'll flip out. The job is to be surprised.
How much has to be explored and discarded before reaching the naked flesh of feeling.
I never know what I am writing. The moment you know what you're writing, you're writing nothing worth reading.
I always want to do music that inspires or influences another generation. You want what you create to live, be it sculpture or painting or music. Like Michelangelo, he said, βI know the creator will go, but his work survives. That is why to escape death, I attempt to bind my soul to my work.
Painting is a nail to which I fasten my ideas.
I slowly dismantled the act of painting, to consider the possibility that no-thing ever really transcends its immediate environment.
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