Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
I have said that each aspect of the novel demands a different quality of the reader. Well, the prophetic aspect demands two qualities: humility and the suspension of the sense of humour.
Interpretation
Reading novels requires an open mind and humility, especially when interpreting deeper aspects of the narrative.
E. M. Forster highlights that engaging with the prophetic aspects of a novel necessitates specific qualities from the reader: humility and the ability to set aside humor. Readers must approach these profound themes with respect and an earnest desire to understand, rather than with irreverence or a dismissive attitude. This reflects the idea that true understanding of literature, especially its deeper messages, often requires a serious and respectful mindset.
In practice
In a book club discussion about a thought-provoking novel.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
If I could sum it up in 50 words, I wouldn't have needed to write a whole novel about it.
Last Exit to Brooklyn should explode like a rusty hellish bombshell over America and still be eagerly read in a hundred years.
I defy anyone to finish Halldor Laxness's 'Independent People' without wetting the pages with tears.
Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it. I feel that at any stage of my literary career it could have been said that the last book contained all the others.
After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
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