There's no such thing as an anti-war film.
Francois TruffautRead
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
Interpretation
The quote expresses a desire for a film to deeply engage and enchant its audience, leaving them mesmerized.
Francois Truffaut emphasizes the transformative power of cinema, suggesting that the goal of filmmaking is to create an immersive experience that captivates viewers so completely that they feel almost disoriented when returning to reality. This speaks to the emotional and psychological impact that art, particularly film, can have on an audience, encouraging filmmakers to evoke profound feelings and reactions.
In practice
This quote could be used in a speech at a film festival to highlight the power of storytelling.
There's no such thing as an anti-war film.
But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
I have always preferred the reflection of the life to life itself.
Geniuses can be scintillating and geniuses can be somber, but it's that inescapable sorrowful depth that shines through-originality.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
The fault of bad taste is usually in over-dressing. Quality not effect, is the standard to seek for.
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
All art is unstable. Its meaning is not necessarily that implied by the author. There is no authoritative voice. There are only multiple readings.
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