A writer of fiction is really... a congenital liar who invents from his own knowledge or that of other men.
Ernest HemingwayRead
The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
Interpretation
Films should honor the audience's experience and intentions behind the storytelling.
George Stevens emphasizes the importance of respecting the audience's connection to films. He argues that films should be presented in a manner that reflects how the audience remembers them and how they were originally intended to be experienced, warning that failing to do so diminishes both the quality of the film and the value placed on the audience's engagement.
In practice
In a film studies class, a professor might cite this quote to discuss the importance of director's intent.
A writer of fiction is really... a congenital liar who invents from his own knowledge or that of other men.
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.
I feel like for me to write songs that I would be interested in as a listener, there has to be tension, and there has to be some kind of push and pull between reality and the potential of disaster.
Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.
When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.
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