A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
Interpretation
The quote emphasizes the preference for nuanced perspectives over black-and-white moral distinctions in human interactions.
Sam Shepard's quote highlights a critical view of the simplistic labeling of individuals as good or bad, suggesting that such categorizations foster division and barriers between people. Instead, Shepard advocates for a more complex understanding of human nature, recognizing the shades of gray that define our interactions and experiences, which ultimately promotes empathy and connection rather than separation.
In practice
In a debate about morality in films, one might quote this to emphasize the importance of complexity in storytelling.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.
Wherever you look there’s meanness and corruption. This room, this bottle of grape wine, these fruits in the basket, are all products of profit and loss. A fellow can’t live without giving his passive acceptance to meanness. Somebody wears his tail to a frazzle for every mouthful we eat and every stitch we wear—and nobody seems to know. Everybody is blind, dumb, and blunt-headed—stupid and mean.
...no matter how complex or affluent, human societies are nothing but subsystems of the biosphere, the Earth's thin veneer of life, which is ultimately run by bacteria, fungi and green plants.
It is not larger, cleaner cages that justice demands...but empty cages; not traditional animal agriculture but a complete end to all commerce in the flesh of dead animals; not more humane hunting and trapping, but the total eradication of these barbarous practices.
May I not come before You with empty hands, since we are rewarded according to our deeds.
When the storyteller tells the truth, she reminds us that human beings are more alike than unalike... A story is what it's like to be a human being-to be knocked down and to miraculously arise. Each one of us has arisen, awakened. We do rise.
No matter how hard we try words simply cannot express the horror, the shock, and the revulsion we all feel over what took place in this nation on Tuesday morning. September 11 will go down in our history as a day to remember.
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