A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.
Interpretation
The quote reflects on how violence is ingrained in our culture and how feelings of helplessness can lead to aggressive behaviors.
Sam Shepard's quote suggests that growing up in a culture steeped in violence is an unavoidable reality, tied to our heritage. He implies that the vastness of the landscape can evoke feelings of helplessness, which can manifest in various forms, including violence. This statement encourages reflection on the origins of our behaviors and the cultural influences that shape our responses to feelings of powerlessness.
In practice
In a discussion about the impacts of upbringing and societal influences on behavior.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
How did Rue end up on that stage with nothing but the wind offering to take her place?
For a man's counsel cannot have equal weight or worth, when he alone has no children to risk in the general danger.
The question is not whether we will be extremists, but what kind of extremists we will be... The nation and the world are in dire need of creative extremists.
A southern moon is a sodden moon, and sultry. When it swamps the fields and the rustling sandy roads and the sticky honeysuckle hedges in its sweet stagnation, your fight to hold on to reality is like a protestation against a first waft of ether.
If slaughterhouses had glass walls, everyone would be a vegetarian.
All humans are entrepreneurs not because they should start companies but because the will to create is encoded in human DNA.
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