Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
Paul AusterRead
Writing begins in the body, it is the music of the body, and even if the words have meaning, can sometimes have meaning, the music of the words is where the meanings begin....Writing as a lesser form of dance.
Interpretation
Writing is akin to a physical expression, where its rhythm and flow contribute to meaning.
In this quote, Paul Auster suggests that writing is not solely about the literal meaning of words; rather, it is deeply rooted in the physicality and rhythm of the act itself. He compares writing to dance, emphasizing that the beauty and significance of writing often emerge from its lyrical qualities and the emotional resonance it creates, much like music does. Thus, the movement and sound of the words contribute to their overall impact and depth.
In practice
During a writing workshop, a facilitator can use this quote to inspire participants about the rhythm of their writing.
Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
For a man who finds life tolerable only by staying on the surface of himself, it is natural to be satisfied with offering no more than his surface to others. There are few demands to be met, and no commitment is required. Marriage, on the other hand, closes the door. Your existence is confined to a narrow space in which you are constantly forced to reveal yourself – and therefore, constantly obliged to look into yourself, to examine your own depths.
He knew that his wings could ignite at any moment, but the closer he came to touching the fire, the more he sensed that he was fulfilling his destiny. As he put it in his journal that night: If I mean to save my life, then I have to come within an inch of destroying it.
People look at the same passage, and one person will say this is the best thing he's ever read, and another person will say it's absolutely idiotic. I mean, there's no way to reconcile those two things. You just have to forget the whole business of what people are saying.
Bodies count, of course - they count more than we're willing to admit - but we don't fall in love with bodies, we fall in love with each other. We all know that, but the moment we go beyond a catalogue of surface qualities and appearances, words begin to fail us, to crumble apart in mystical confusions and cloudy, unsubstantial metaphors.
At that point, Noriko finally breaks down and begins to cry sobbing into her hands as the floodgates open - this young woman who has suffered in silence for so long, this good woman who refuse to believe she's good, for only the good doubt their own goodness, which is what makes them good in the first place. The bad know they are good, but the good know nothing. They spend their lives forgiving others, but they can't forgive themselves.
To destroy is always the first step in any creation.
If you do something, you should do it because you love it, and you should follow your heart and make it how your heart wants it to be made. But it's a difficult world, especially for musicians.
A critic in my house sees some paintings. Greatly perturbed, he asks for my drawings. My drawings? Never! They are my letters, my secrets.
Photography is about being exquisitely present.
I don't sing operatically, and I sing very intimately, but I still do the scales, and I think in terms of intonation and making sure that I'm hitting the notes right on the head... and having it appear quite effortless.
The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
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