I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
Ava DuvernayRead
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Interpretation
The quote highlights the issue of exclusion in Hollywood based on arbitrary standards of belonging.
Ava Duvernay's quote addresses the significant challenge of inclusivity and belonging in Hollywood, emphasizing how the criteria for who is deemed worthy or appropriate is often controlled by a homogeneous group. This suggests that the power dynamics in the entertainment industry may perpetuate exclusion rather than celebrate diversity, creating a barrier for many aspiring talents who do not fit the conventional mold.
In practice
During a panel discussion on representation in the media, one might reference this quote to highlight current industry challenges.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
What, then is law [government]? It is the collective organization of the individual right to lawful defense.
Or you might shout at the top of your lungs or whisper into your sleeve, "I hate you, God." That is a prayer too, because it is real, it is truth, and maybe it is the first sincere thought you've had in months.
The truth is always an abyss. One must β as in a swimming pool β dare to dive from the quivering springboard of trivial everyday experience and sink into the depths, in order to later rise again β laughing and fighting for breath β to the now doubly illuminated surface of things.
Human diversity makes tolerance more than a virtue; it makes it a requirement for survival.
Imagine a poem written with such enormous three-dimensional words that we had to invent a smaller word to reference each of the big ones; that we had to rewrite the whole thing in shorthand, smashing it into two dimensions, just to talk about it. Or donβt imagine it. Look outside. Human language is our attempt at navigating Godβs language; it is us running between the lines of His epic, climbing on the vowels and building houses out of the consonants.
Calmness is the living breath of God's immortality in you.
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