To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
Biology designed the dance. Terror timed it. Dictated the rhythm with which their bodies answered each other. As though they already knew that for each tremor of pleasure they would pay with an equal measure of pain. As though they knew that how far they went would be measured against how far they would be taken.
Interpretation
What this quote means
The quote reflects the intricate balance of pleasure and pain in relationships and life experiences.
Arundhati Roy’s quote delves into the complex interplay between joy and suffering within human interactions. It suggests that our experiences of pleasure are often accompanied by an unavoidable cost, highlighting the duality of existence where each moment of happiness may be offset by an equal moment of pain. This resonates with the idea that life is a constant negotiation between what we desire and what we must sacrifice, emphasizing the importance of understanding the rhythms that govern our relationships and experiences.
Themes
In practice
Example use cases
In a speech about the complexities of love, you could quote this to illustrate the highs and lows of relationships.
More from Arundhati Roy
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When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
In California, there are huge problems because of dams. I'm against big dams, per se, because I think that they are economically unfeasible. They're ecologically unsustainable. And they're hugely undemocratic.
To call someone 'anti-American', indeed, to be anti-American, is not just racist, it's a failure of the imagination.
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The cosmos is a gigantic flywheel making 10,000 revolutions per minute. Man is a sick fly taking a dizzy ride on it.
It might not be perfect, but the fundamental stance I adopted with regard to my home was to accept it, problems and all, because it was something I myself had chosen. If it had problems, these were almost certainly problems that had originated within me.
But we had with us, to keep and to care for, more than five hundred bruised bodies of men- men made in the image of God, marred by the hand of man and must we say in the name of God? And where is the reckoning for such things? And who is answerable? One might almost shrink from the sound of his own voice, which had launched into the palpitating air words of order- do we call it? - fraught with such ruin. Was it God's command we heard or His forgiveness we must forever implore?