To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
Arundhati RoyRead
To call someone 'anti-American', indeed, to be anti-American, is not just racist, it's a failure of the imagination.
Interpretation
Labeling someone as 'anti-American' reflects a limited perspective and ignorance of diverse views.
In this quote, Arundhati Roy criticizes the term 'anti-American' as not only a harmful stereotype but also as a sign of an inability to understand differing perspectives and critiques. Rather than engaging with complex debates about nationalism and identity, resorting to such labels reveals a deeper societal issue of intolerance and a failure to imagine a more inclusive dialogue.
In practice
During a discussion on nationalism and identity, one might reference this quote to highlight the dangers of simplistic labels.
To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
When she listened to songs that she loved on the radio, something stirred inside her. A liquid ache spread under her skin, and she walked out of the world like a witch.
Caste is about dividing people up in ways that preclude every form of solidarity, because even in the lowest castes, there are divisions and sub-castes, and everyone's co-opted into the business of this hierarchical, silo-ised society.
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
In California, there are huge problems because of dams. I'm against big dams, per se, because I think that they are economically unfeasible. They're ecologically unsustainable. And they're hugely undemocratic.
The trouble is that once you see it, you can't unsee it. And once you've seen it, keeping quiet, saying nothing, becomes as political an act as speaking out. There's no innocence. Either way, you're accountable.
No, it is impossible; it is impossible to convey the life-sensation of any given epoch of oneβs existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone.
A sensible man will remember that the eyes may be confused in two ways - by a change from light to darkness or from darkness to light; and he will recognize that the same thing happens to the soul.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
The torrent of centuries rolling over the human race, has continually brought new perfections, the cause of which, ever active though unseen, is found in the demands made by our senses, which always in their turns demand to be occupied.
Just like all great stories, our fears focus our attention on a question that is as important in life as it is in literature: What will happen next?
To the extent that this world surrenders its richness and diversity, it surrenders its poetry; to the extent that it relinquishes its capacity to surprise, it relinquishes its music; to the extent that it loses its ability to tolerate ridiculous and even dangerous exceptions, it loses its grace.
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