If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
Carlos SantanaRead
Blues was my first love. It was the first thing where I said, 'Oh man, this is the stuff.' It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.
Interpretation
The quote reflects Carlos Santana's deep emotional connection and appreciation for blues music, suggesting it inspired his personal and artistic journey.
In this quote, Carlos Santana expresses how blues music profoundly influenced him from the very beginning of his musical journey. He describes it as raw and honest, portraying his strong emotional response to the genre, which not only captured his heart but also motivated him to rebel and explore his own artistic expression. This highlights the transformative power of music and the connection between personal experience and artistic development.
In practice
A musician reflecting on their influences during an interview.
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
I'd say three years ago we played in my hometown of San Antonio for 55,000 people at the Alamodome and walking out there with a crowd like that is just, you're excited, you're scared. There are just so many emotions going on. I still get nervous for things like that until after I sing about the first one or two songs, then I settle down.
Playing with Queen was the biggest moment of my career. It was like living a childhood fantasy.
Until it's on the radio or online, it's not real. With U2, our album isn't finished until it's in the stores.
I get a thrill meeting kids who are into alternative music.
I'd bite off the Beatles, or anybody else. It's all one world, one planet and one groove. You're supposed to learn from each other, blend from each other, and it moves around like that.
I approach everything as chamber music. Even with Beethoven symphonies, I lead from the violin and basically encourage the orchestra to think of it as a giant string quartet.
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