So we beat on, boats against the current, borne back ceaselessly into the past.
Interpretation
This quote reflects the struggle against the relentless flow of time and the past's impact on our present lives.
F. Scott Fitzgerald's quote illustrates the constant struggle individuals face as they navigate their lives, much like boats fighting against a current. It highlights the idea that, despite our efforts to move forward and evolve, we are often pulled back by our memories and past experiences. This interplay between aspiration and the weight of history serves as a profound reminder of the complexities of human existence.
In practice
In a graduation speech to motivate students about their future endeavors.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
To come to faith on the basis of experience alone is unwise, though not so foolish as to reject faith altogether because of lack of experience ... the quality of a Christian's experience depends on the quality of his faith, just as the quality of his faith depends in turn on the quality of his understanding of God's truth.
The further on we go, the more meaning there is, but the less articulable. You live your life and the older you get- the more specifically you harvest- the more precious becomes every ounce and spasm. Your life and times donβt drain of meaning because they become more contradictory, ornamented by paradox, inexplicable. The less explicable, the more meaning. The less like a mathematics equation (a sum game); the more like music (significant secret).
A man has as many social selves as there are individuals who recognize him.
We can at least try to understand our own motives, passions, and prejudices, so as to be conscious of what we are doing when we apeal to those of others. This is very difficult, because our own prejudice and emotional bias always seems to us so rational.
The secret of Masonry, like the secret of life, can be known only by those who seek it, serve it, live it. It cannot be uttered; it can only be felt and acted. It is, in fact, an open secret, and each man knows it according to his quest and capacity. Like all things worth knowing, no one can know it for another and no man can know it alone.
There is no extrahistorical or eternalist or abstractivistically pure standpoint where we can get oriented in the absolute Truth per se before dealing with the concrete lineaments of how we happen exist in this time and place. We are participants in a dynamic system and we know its profile only by its action in organizing how we interact together and how we see our own selves. "The truth is the whole," and the whole is a system of living energy: our life as human and historical spirits.
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