I wanted to have a body of work behind me before I wrote about racism.
Interpretation
The quote emphasizes the importance of experience and knowledge before addressing complex topics like racism.
Malorie Blackman's quote reflects her belief that to write authentically and insightfully about racism, one must first accumulate a substantial body of work that provides the necessary context and understanding of the subject. This underscores the idea that genuine expertise is crucial when tackling sensitive social issues, ensuring that the discussion is nuanced and informed rather than superficial.
In practice
This quote could be used in a discussion panel on addressing social justice in literature.
What I wanted to do was use literature and different kinds of stories and poems as a springboard, tapping into the creativity of our teens - I wanted teenagers to come up with their own creative responses to literature - using books themselves as a starting point.
I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
I hope to instill, in every child I meet, my love and enthusiasm for reading and stories.
Children will go with any story as long as it's good, but white adults sometimes think that if a black child's on the cover, it is perhaps not for them.
History should belong to all of us, and it needs to include people from different cultural backgrounds. Otherwise, it risks becoming irrelevant to children, who could then become disenchanted with education.
I read a lot of highly unsuitable books for an 11-year-old. I was desperate to read as widely as possible. I thought, 'There are so many places I am never going to get the chance to visit, but I can if I read them.' And I did. I could go anywhere in the world - and off it - by reading.
Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.
We have failed to fully appreciate how deeply housing is implicated in the creation of poverty.
Many unhoused people work full time but earn starvation, unlivable wages. Some struggle to access mental health services or substance use treatment, making earning a consistent and stable wage nearly impossible.
Moms that get evicted are depressed and have higher rates of depressive symptoms two years later. That has to affect their interactions with their kids and their sense of happiness. You add all that together, and it's just really obvious to me that eviction is a cause, not just a condition, of poverty.
There are huge divorces and divides and chasms in black America between the have-gots and the have-nots, between the monied and the poor, between the educated and the non-educated. And there are huge and growing chasms daily. And I want to say that it's not simply about generation. It's about genre.
Prisons do not disappear social problems, they disappear human beings. Homelessness, unemployment, drug addiction, mental illness, and illiteracy are only a few of the problems that disappear from public view when the human beings contending with them are relegated to cages.
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