I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
Truman CapoteRead
Finishing a book is just like you took a child out in the back yard and shot it.
Interpretation
This quote emphasizes the emotional pain and sense of loss that can accompany the completion of a creative work.
Truman Capote expresses a profound sentiment regarding the process of finishing a book, suggesting that it is akin to the heartbreaking act of taking a cherished child and ending their life. This analogy reveals the deep emotional investment and attachment that authors feel toward their creations, likening the act of completion to a form of tragic loss, as the writer must let go of their work, leaving behind a part of themselves.
In practice
During a speech at a literary event, one could quote Capote to discuss the emotional impact of writing.
I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
I don't want to own anything until I find a place where me and things go together.
The quietness of his tone italicized the malice of his reply.
The avant-garde theater is fun; it is free-swinging, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence - putting your standard responses aside, for they do not apply - if you will approach it on its own terms, I think you will be in for a liberating surprise.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
Force yourself to write down what is of no interest, what is most obvious, most common, most colourless...antique shops, clothes, hi-fi, etc. Don't say, don't write 'etc'. Make an effort to exhaust the subject, even if that seems grotesque, or pointless, or stupid. You still haven't looked at anything, you've merely picked out what you've long ago picked out.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
For me painting is a dramatic action in the course of which reality finds itself split apart
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