Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
The bright dawn flooded the room, and swept the fantastic shadows into dusky corners, where they lay shuddering.
Interpretation
This quote describes the transformative power of light, contrasting brightness with the shadows it displaces.
Oscar Wilde's quote beautifully illustrates the interplay between light and shadow, suggesting that the arrival of dawn not only brightens a room but also reveals the hidden and fearful aspects of existence. The 'fantastic shadows' represent the unknown or the parts of our lives that may be daunting, which are confronted and pushed into the background by the bright light of dawn, symbolizing hope and new beginnings.
In practice
In a speech about overcoming adversity, I would use this quote to illustrate the power of hope.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
I wanted to be Gerry Mulligan, only, see, I didn't have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that - except I couldn't afford a baritone, so I bought an alto, which was the same fingering.
Etretat is becoming more and more amazing. Now is the real moment: the beach with all its fine boats; it is superb, and I am enraged not to be more skillful in rendering all this. I would need two hands and hundreds of canvases.
In art, one does not aim for simplicity; one achieves it unintentionally as one gets closer to the real meaning of things.
Genius gives birth, talent delivers. What Rembrandt or Van Gogh saw in the night can never be seen again. Born writers of the future are amazed already at what they're seeing now, what we'll all see in time for the first time, and then see imitated many times by made writers.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all.
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