...the routine of life goes on, whatever happens, we do the same things, go through the little performance of eating, sleeping, washing. No crisis can break through the crust of habit.
She had to live in this bright, red gabled house with the nurse until it was time for her to die... I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe.
Interpretation
What this quote means
The quote reflects on the often overlooked emotions and experiences of elderly individuals compared to the more understood emotions of children.
Daphne Du Maurier expresses a poignant observation about aging and the isolation that can come with it. She highlights the disconnect between the perceptions of childhood, which are widely recognized and empathized with, and the complex feelings of old age, often neglected or misunderstood by younger generations. The imagery of living in a bright, red gabled house symbolizes the contrasting nature of life and death, where the vibrancy of the house belies the somber reality of approaching mortality.
Themes
In practice
Example use cases
In a speech about empathy in healthcare, this quote can highlight the importance of understanding the feelings of older patients.
More from Daphne Du Maurier
All quotes →here was a silence between them for a moment, and she wondered if all women, when in love, were torn between two impulses, a longing to throw modesty and reserve to the winds and confess everything, and an equal determination to conceal the love forever, to be cool, aloof, utterly detached, to die rather than admit a thing so personal, so intimate.
We are all ghosts of yesterday, and the phantom of tomorrow awaits us alike in sunshine or in shadow, dimly perceived at times, never entirely lost.
How pleasant,' Dona said, peeling her fruit; 'the rest of us can only run away from time to time, and however much we pretend to be free, we know it is only for a little while - our hands and our feet are tied.
A familiar name on its own, however, does not carry its bearer far unless the talent is there, and the will to work.
Here was the freedom I desired, long sought-for, not yet known Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone.
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Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned.
Humankind cannot bear very much reality.
If you strike a child, take care that you strike it in anger, even at the risk of maiming it for life. A blow in cold blood neither can nor should be forgiven.
Man can sin against nature in two ways. First, when he sins against his specific rational nature, acting contrary to reason. In this sense, we can say that every sin is a sin against man's nature, because it is against man's right reason.
If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don't. It's like a human body, you see. A few cuts and bruises here and there don't hurt it. Not even major surgery if it's done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.
They will be like shadows, they will be like wraiths, gray members of a congregation of nightmare; hark! his long wavering howl . . . an aria of fear made audible. The wolfsong is the sound of the rending you will suffer, in itself a murdering.