Frankly I've never really subscribed to these adjectives tagging me as an 'icon', 'superstar', etc. I've always thought of myself as an actor doing his job to the best of his ability.
Amitabh BachchanRead
I like to feel the butterflies in the stomach, I like to go home and have a restless night and wonder how I'm going to be able to accomplish this feat, get jittery. That hunger and those butterflies in the stomach are very essential for all creative people.
Interpretation
The quote emphasizes the importance of excitement and nervousness in the creative process.
Amitabh Bachchan reflects on the feelings of anticipation and nervous energy that accompany creative endeavors. He suggests that these 'butterflies in the stomach' and the hunger for success are vital for creativity, indicating that discomfort and uncertainty can drive innovation and artistic expression.
In practice
In a motivational speech at a creative workshop.
Frankly I've never really subscribed to these adjectives tagging me as an 'icon', 'superstar', etc. I've always thought of myself as an actor doing his job to the best of his ability.
I think every actor would wish there is some challenge that is left. I would consider to be creatively dead if I were to say that I am satisfied now.
Please explain to me what being an icon is. How do you define it? I haven't been given a script. I don't know what the dialogues of an icon are.
Yes, every venture is always filled with apprehensions. But if we were to conduct ourselves continuously on that aspect, then we would lose the most important reason to be in this profession: to challenge the art of and be part of what is commonly known as our creative instincts.
People ask me why it is that when I portray the 'angry young man' on screen, I really look angry. They reason that it is due to some suppression in my childhood. But, it's just that I can't help it; it's in my genes.
The beginning of human knowledge is through the senses, and the fiction writer begins where the human perception begins. He appeals through the senses, and you cannot appeal through the senses with abstractions.
Painting is but another word for feeling.
You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do.
What's incredible about 'Hamilton,' and the reason you can't get a ticket, is because everyone's responding to it. Everyone is seeing a bit of themselves in it.
It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.
Some may find them merely diverting melodies. Others may find them incitements to Red revolution. And who will say if either or both is wrong? Not I.
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