Where misunderstanding serves others as an advantage, one is helpless to make oneself understood.
Lionel TrillingRead
The poet may be used as a barometer, but let us not forget that he is also part of the weather.
Interpretation
The poet reflects society but also shapes it with their work.
This quote by Lionel Trilling emphasizes that while poets and artists can measure and gauge the emotional and social climate of their times, they also play an active role in creating that climate. It suggests a dual relationship where the poet is both an observer and a participant, influencing and being influenced by the world around them.
In practice
During a literary festival, a speaker might use this quote to discuss the role of poets in society.
Where misunderstanding serves others as an advantage, one is helpless to make oneself understood.
Our culture peculiarly honors the act of blaming, which it takes as the sign of virtue and intellect.
Every neurosis is a primitive form of legal proceeding in which the accused carries on the prosecution, imposes judgment and executes the sentence: all to the end that someone else should not perform the same process.
Youth is a time when we find the books we give up but do not get over.
There is no connection between the political ideas of our educated class and the deep places of the imagination.
We are at heart so profoundly anarchistic that the only form of state we can imagine living in is Utopian; and so cynical that the only Utopia we can believe in is authoritarian.
I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.
All that we did, all that we said or sang must come from contact with the soil.
I hope I have made it clear that the work is about perfection as we are aware of it in our minds but that the paintings are very far from being perfect - completely removed in fact - even as we ourselves are.
Nothing is more odious than music without hidden meaning.
Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch.
I agree with Balzac and 19th-century writers, black and white, who say, 'I write for money.' Yes, I think everybody should be paid handsomely; I insist on it, and I pay people who work for me, or with me, handsomely.
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