Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Jordan PeeleRead
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
Interpretation
Campfire stories and urban legends serve as foundational inspiration for creators in horror, containing valuable lessons within their narratives.
In this quote, Jordan Peele emphasizes the significance of campfire stories and urban legends as essential sources of inspiration for those creating horror and thriller genres. He suggests that these tales often carry underlying truths and serve as cautionary narratives that reflect societal fears and teach valuable lessons, highlighting their enduring impact on storytelling.
In practice
In a film class, discussing how urban legends can shape horror narratives.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
It wasn't until I went to my first comic convention while I was in high school that I got to see actual comic book artists and original artwork in real life, up close. That was when I first realized that this is what I wanted to do for a living.
Art is individualism, and individualism is a disturbing and disintegrating force. There lies its immense value. For what it seeks is to disturb monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine. It seeks to show new perspectives and other choices. It is a way to help expand and liberate the consciousness; our experiences, understandings, imaginings, options and thereby our lives.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.
Beauty without expression is boring.
Out in the world not much happened. But here in the special night, a land bricked with paper and leather anything might happen, always did.
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