Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Jordan PeeleRead
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
Interpretation
Campfire stories and urban legends serve as foundational inspiration for creators in horror, containing valuable lessons within their narratives.
In this quote, Jordan Peele emphasizes the significance of campfire stories and urban legends as essential sources of inspiration for those creating horror and thriller genres. He suggests that these tales often carry underlying truths and serve as cautionary narratives that reflect societal fears and teach valuable lessons, highlighting their enduring impact on storytelling.
In practice
In a film class, discussing how urban legends can shape horror narratives.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
I wanted to deal with light directly rather than with paint.
I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
In my acting, I have to identify with something in the character. The big tough boy on the side of right - that's me. Simple themes. Same me from the nuances. All I do is sell sincerity and I've been selling the hell out of that ever since I started.
I'd like to think I am taking people on a journey; I am not just entertaining people, but giving them something to think about when they leave.
People say that I could sing the phone book and make it sound good.
This is where you see the truth of entertainment, because it is not edited. You see it on stage as it is happening. Even if we fall down or forget our words, it's a part of live entertainment.
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