What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
Judy BlumeRead
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
Interpretation
A writer must focus solely on their creativity and characters, ignoring external judgments.
Judy Blume emphasizes the importance of complete concentration and dedication to the creative process when writing. By suggesting that writers should disregard the opinions of censors or reviewers and focus entirely on their characters and stories, Blume advocates for artistic freedom and authenticity in storytelling.
In practice
In a writing workshop, to inspire emerging authors to trust their instincts.
What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.
Concentrate on how good if feels to be alive. No matter what. Just to see the color of the sky, just to smell the air, and feel the wind in your face
I wrote 'Are You There God? It's Me, Margaret' right out of my own experiences and my own feelings when I was in sixth grade.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
I loved to read, and I think any child who loves to read will read anything, including the back of the cereal box, which I did every morning.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
...What is the use of beauty? i have lived my life surrounded by painters, and still I do not know the answer. But i suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes or lives less miserable so that we might be more kind-well, then, lets have beauty, painted on our porcelain, hanging on our walls, ringing through our stories.
I work as diligently on my canvases as the laborers do in their fields.
For the understanding of a picture a chair is needed. Why a chair? To prevent the legs, as they tire, from interfering with the mind
A great artist is a great man in a great child.
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