And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
Mark StrandRead
There's a certain point, when you're writing autobiographical stuff, where you don't want to misrepresent yourself. It would be dishonest.
Interpretation
Writing autobiographically requires honesty to truly represent oneself.
Mark Strand emphasizes the importance of authenticity in autobiographical writing. When sharing personal stories, it is crucial to portray oneself accurately, as misrepresentation not only deceives others but also undermines one's integrity and the value of the narrative being shared.
In practice
This quote can be used in an introductory speech at a writing workshop focused on personal narratives.
And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
...In another time, What cannot be seen will define us, and we shall be prompted To say that language is error, and all things are wronged By representation. The self, we shall say, can never be Seen with a disguise, and never be seen without one.
Even this late it happens the coming of love, the coming of light. You wake and the candles are lit as if by themselves, stars gather, dreams pour into your pillows, sending up warm bouquets of air. Even this late the bones of the body shine and tomorrowβs dust flares into breath.
No voice comes from outer space, from the folds of dust and carpets of wind to tell us that this is the way it was meant to happen, that if only we knew how long the ruins would last we would never complain.
From the shadow of domes in the city of domes,_x000D_ A snowflake, a blizzard of one, weightless, entered your room_x000D_ And made its way to the arm of the chair where you, looking up_x000D_ From your book, saw it the moment it landed. That's all_x000D_ There was to it.
It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.
The Apostle Paul in his letter to the Romans said that those who pass judgment on others are 'inexcusable.' The moment we judge someone else, he explained, we condemn ourselves, for none is without sin. Refusing to forgive is a grievous sin-one the Savior warned against.
So the city became the material expression of a particular loss of innocence β not sexual or political innocence but somehow a shared dream of what a city might at its best prove to be β its inhabitants became, and have remained, an embittered and amnesiac race, wounded but unable to connect through memory to the moment of injury, unable to summon the face of their violator.
Take but degree away, untune that string, and hark, what discord follows!
The fundamental issue is the moral issue.
The blindness that opens the eye is not the one that darkens vision. Tears and not sight are the essence of the eye.
To be content with death may be better than to desire it.
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