And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
Mark StrandRead
Even this late it happens the coming of love, the coming of light. You wake and the candles are lit as if by themselves, stars gather, dreams pour into your pillows, sending up warm bouquets of air. Even this late the bones of the body shine and tomorrow’s dust flares into breath.
Interpretation
What this quote means
This quote reflects the unexpected and transformative power of love, even in late stages of life.
Mark Strand's quote beautifully illustrates the idea that love can arrive at any time, illuminating our lives and bringing joy, warmth, and renewal. It captures the magical moments where the essence of love makes even simple experiences feel profound, reminding us that life is full of surprises and that hope exists even in the twilight of our existence.
Themes
LoveLightTransformationHopeLife
In practice
Example use cases
In a wedding speech to emphasize the lasting nature of love.
More from Mark Strand
All quotes →...In another time, What cannot be seen will define us, and we shall be prompted To say that language is error, and all things are wronged By representation. The self, we shall say, can never be Seen with a disguise, and never be seen without one.
Mark StrandRead
No voice comes from outer space, from the folds of dust and carpets of wind to tell us that this is the way it was meant to happen, that if only we knew how long the ruins would last we would never complain.
Mark StrandRead
From the shadow of domes in the city of domes,_x000D_ A snowflake, a blizzard of one, weightless, entered your room_x000D_ And made its way to the arm of the chair where you, looking up_x000D_ From your book, saw it the moment it landed. That's all_x000D_ There was to it.
Mark StrandRead
There's a certain point, when you're writing autobiographical stuff, where you don't want to misrepresent yourself. It would be dishonest.
Mark StrandRead
It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.
Mark StrandRead
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