At the risk of appearing disingenuous, I don't really think of myself as 'writing humor.' I'm simply reporting on the world I observe, which is frequently hilarious.
Richard RussoRead
I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.
Interpretation
A writer must create relatable characters to maintain their own engagement in the story.
Richard Russo emphasizes the importance of character development in writing. He asserts that a writer should cultivate characters that evoke sympathy and care, as the emotional connection to these characters can deeply affect both the writer's experience and the reader's engagement with the story.
In practice
An author discussing the need for relatable characters in a writing workshop.
At the risk of appearing disingenuous, I don't really think of myself as 'writing humor.' I'm simply reporting on the world I observe, which is frequently hilarious.
I think that if people are instructed about anything, it should be about the nature of cruelty. And about why people behave so cruelly to each other. And what kind of satisfactions they derive from it. And why there is always a cost, and a price to be paid.
My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.
I told him the truth, that I loved him and didn't regret anything about our lives together. But do we ever 'tell the truth, the whole truth, and nothing but the truth, so help me God' as my father used to say, to those we love? Or even to ourselves? Don't even the best and most fortunate of lives hint at other possibilities, at a different kind of sweetness and, yes, bitterness too? Isn't this why we can't help feeling cheated, even when we know we haven't been?
He'd discovered that his memories of that summer were like bad movie montages - young lovers tossing a Frisbee in the park, sharing a melting ice-cream cone, bicycling along the river, laughing, talking, kissing, a sappy score drowning out the dialogue because the screenwriter had no idea what these two people might say to each other.
A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.
It is always hard for poets to believe that one says their poems are bad not because one is a fiend but because their poems are bad.
There is but one art, to omit.
Long before I started to write in earnest, Lorrie Moore taught me you could have a woman narrator who was funny and complex and even wrongheaded. She opened up a lot of space that me and a million other women rushed into.
We will, of course, without hesitation use art to parody, ridicule, debunk, or criticize ideologies.
I have no desire to prove anything by dancing. I have never used it as an outlet or a means of expressing myself. I just dance. I just put my feet in the air and move them around.
To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life . . . Not the fruit of experience, but experience itself, is the end . . . For art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.
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