He breathed out the bitter air that makes women doubt everything, and I breathed it in, as I had always done. I expelled my dust, the powder of everything I had destroyed with doubt, and he pulled it into his lungs.
Miranda JulyRead
Long before I started to write in earnest, Lorrie Moore taught me you could have a woman narrator who was funny and complex and even wrongheaded. She opened up a lot of space that me and a million other women rushed into.
Interpretation
The quote acknowledges Lorrie Moore's influence in creating space for complex, humorous female narrators.
Miranda July reflects on the pioneering work of Lorrie Moore in literature, highlighting how her portrayal of female narrators as funny, complex, and sometimes flawed broke new ground for women writers. This opening of space in storytelling allowed July and many others to explore their own voices, thus enriching the literary landscape with diverse female perspectives.
In practice
In a speech about women in literature, one could use this quote to illustrate the importance of representation.
He breathed out the bitter air that makes women doubt everything, and I breathed it in, as I had always done. I expelled my dust, the powder of everything I had destroyed with doubt, and he pulled it into his lungs.
We had loved people we really shouldn't have loved and then married other people in order to forget our impossible loves, or we had once called out hello into the cauldron of the world and then run away before anyone could respond.
Some people need a red carpet rolled out in front of them in order to walk forward into friendship. They can't see the tiny outstretched hands all around them, everywhere, like leaves on trees.
I have female friends who work in all different mediums who I speak to at least once a week. It helps me so much to know that I'm not alone. I think that's the bare minimum you need to sustain yourself - some sort of context of other women making things.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
True beauty is something that attacks, overpowers, robs, and finally destroys.
Ballet became this escape for me. I feel like I was on my own a lot. I was searching for stability, so I was going off on my own and imagining what I thought stability was. Ballet became a way for me to cope.
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
When you are older, you realise that everything else is just nothing compared to painting and drawing.
Fashion is a reflection of our times. Fashion can tell you everything that's going on in the world with a strong fashion image.
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