There's no such thing as an anti-war film.
Francois TruffautRead
Is the cinema more important than life?
Interpretation
This quote questions the value and significance of cinema in relation to actual life experiences.
Francois Truffaut's quote reflects a deep philosophical inquiry into the role of cinema in our lives. It provokes thought about whether the art of film holds greater weight or importance compared to the richness and complexity of real life. By juxtaposing cinema with life, Truffaut invites us to consider the impact of storytelling through film and its ability to reflect, shape, or even distract from our lived experiences.
In practice
This quote can be used in a discussion about the role of cinema in society during a film studies class.
There's no such thing as an anti-war film.
But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
To have great poets, there must be great audiences.
Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
I feel like my music has become a lot of things. It's hard to label the evolution, but I like there to be an evolution. I just like to paint with all different kinds of colors.
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