Music isn't about music, it's about life.
Herbie HancockRead
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
Interpretation
This quote attributes the foundation of Herbie Hancock's harmonic style to influential musicians.
Herbie Hancock reflects on the significant impact that certain musicians had on his development as an artist. He acknowledges Clare Fischer, Bill Evans, Ravel, and Gil Evans as key figures whose harmonic concepts shaped his own musical expression, illustrating the intertwined nature of creativity and collaboration within the music community.
In practice
In a speech at a music conference discussing the evolution of jazz.
Music isn't about music, it's about life.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I think people have learned that Herbie Hancock can be defined as someone that you won't be able to figure out what he's going to do next. The sky is the limit as far as I'm concerned.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
Some kids in Italy call me 'Mama Jazz; I thought that was so cute. As long as they don't call me 'Grandma Jazz.'
There is no such thing as happy music.
Blacks own so little of the music business, it's pathetic. But I see that changing soon. Black artists, black businessmen and women will unite.
A lot of people from my generation of music are so focused on playing things correctly or to perfection that they're stuck in that safe place.
The future of rock belongs to women.
There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me.
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