As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
Interpretation
This quote celebrates Clive Barker's profound impact on imagination and storytelling beyond the confines of horror.
Quentin Tarantino's quote about Clive Barker emphasizes that labeling him merely as a 'horror novelist' diminishes his artistic contributions. Barker's work transcends genre boundaries, exploring complex human experiences, emotions, and the beauty inherent in both fear and joy, making him a significant creative force in contemporary literature.
In practice
In a literary discussion on the evolution of genre fiction, this quote can highlight the multifaceted nature of an author's work.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
If you just love movies enough, you can make a good one.
The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.
I want paint to work as flesh.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
My partner sometimes liked to go into the studio and improvise voice things just for fun. When I returned from England I transcribed one of her melodies, and had some of the hospice participants sing it, because they said they liked to sing. Their singing is very raw, but I'm going to use it for the final work.
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