As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
Interpretation
Writers are encouraged to embrace honesty and openness in their work.
Quentin Tarantino emphasizes the importance of authenticity in writing, suggesting that a writer's inner voice should prompt them to tell the truth and share personal secrets. This approach not only fosters a genuine connection with the audience but also enriches the storytelling by infusing it with real emotions and experiences.
In practice
In a writing workshop, this quote could inspire participants to explore personal themes.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
If you just love movies enough, you can make a good one.
The sound and music are 50% of the entertainment in a movie.
Some people like to paint pictures, or do gardening, or build a boat in the basement. Other people get a tremendous pleasure out of the kitchen, because cooking is just as creative and imaginative an activity as drawing, or wood carving, or music.
Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obsession as we have with our lovers.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
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