The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Iannis XenakisRead
The collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen as totality, is a new sonic event.
Interpretation
This quote reflects on how individual sounds come together to create a new auditory experience.
Iannis Xenakis highlights the nature of sound and how individual sonic events, such as hail or cicadas, can combine to form a complex auditory landscape. By recognizing these individual sounds as components of a larger whole, he draws attention to the interconnectedness of sounds and the richness of our auditory experiences, suggesting that art can emerge from the aggregation of seemingly simple or isolated elements.
In practice
In a lecture about the art of sound design, this quote can illustrate how complex auditory experiences are created.
The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Music is not a language. Any musical piece is akin to a boulder with complex forms, with striations and engraved designs atop and within, which men can decipher in a thousand different ways without ever finding the right answer or the best one.
To make music means to express human intelligence by sonic means. This is intelligence in its broadest sense, which includes not only the peregrinations of pure logic but also the "logic" of emotions and intuition. My musical techniques, although often rigorous in their internal structure, leave many openings through which the most complex and mysterious factors of the intelligence may penetrate.
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
I'm realistic about my age and realistic about the fact that there's an awful lot less in front of me than there is behind me. I've always felt that music is an art form that deserves to live the life of the artist.
The first thing you have to get used to in any kind of acting is the ability to make a fool of yourself. If you haven't learnt how to make a fool of yourself, you shouldn't be on the boards. That's absolutely what it's all about.
[...] I've come to the conclusion that the artist can not justify life or come up with a cogent reason as to why life is meaningful, but the artist can provide you with a cold glass of water on a hot day.
Music is worth doing just because. It doesn’t have to be justified by some political point of view, and it’s kind of insulting to the music to make it a tool for something else.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
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