The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Iannis XenakisRead
To make music means to express human intelligence by sonic means. This is intelligence in its broadest sense, which includes not only the peregrinations of pure logic but also the "logic" of emotions and intuition. My musical techniques, although often rigorous in their internal structure, leave many openings through which the most complex and mysterious factors of the intelligence may penetrate.
Interpretation
Music is a profound expression of human intelligence that encompasses both logic and emotion.
In this quote, Iannis Xenakis highlights the intricate relationship between music and human intelligence. He suggests that music transcends mere logical structures, allowing for an expression of complex emotions and intuitive understanding, thereby expanding the realm of intelligence to include feelings and creativity alongside rational thought.
In practice
In a lecture on the integration of emotions in artistic expression, this quote serves to illustrate the depth of music as a reflection of both logic and feeling.
The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Music is not a language. Any musical piece is akin to a boulder with complex forms, with striations and engraved designs atop and within, which men can decipher in a thousand different ways without ever finding the right answer or the best one.
The collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen as totality, is a new sonic event.
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
You discover how confounding the world is when you try to draw it. You look at a car, and you try to see its car-ness, and you’re like an immigrant to your own world. You don’t have to travel to encounter weirdness. You wake up to it.
Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
All the soarings of my mind begin in my blood.
Shakespeare - The nearest thing in incarnation to the eye of God.
Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.
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