Nobody has ever measured, not even poets, how much the heart can hold.
Zelda FitzgeraldRead
I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.
Interpretation
This quote reflects a desire to create art that resonates deeply with human emotions and experiences.
Zelda Fitzgerald expresses a longing to create a beautiful book that would touch the hearts of those who face mortality, highlighting the importance of faith and the simplicity of life as captured in popular songs. Her words reveal a desire to connect with others through art, addressing the fragility of existence and the profound impact of creativity on our understanding of life.
In practice
In a speech about the power of literature, one could reference this quote to highlight how art can touch the human experience.
Nobody has ever measured, not even poets, how much the heart can hold.
She refused to be bored chiefly because she wasn't boring.
The night you gave me my birthday party... you were a young Lieutenant and I was a fragrant phantom, wasn't I? And it was a radiant night, a night of soft conspiracy and the trees agreed that it was all going to be for the best.
A southern moon is a sodden moon, and sultry. When it swamps the fields and the rustling sandy roads and the sticky honeysuckle hedges in its sweet stagnation, your fight to hold on to reality is like a protestation against a first waft of ether.
There seemed to be some heavenly support beneath his shoulder blades that lifted his feet from the ground in ecstatic suspension, as if he secretly enjoyed the ability to fly but was walking as a compromise to convention.
I remember every single spot of light that ever gouged a shadow beside your bones.
Say what you mean. Say what you see. Make a photograph, if you can, for the reader.
I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
Making a movie where the central character is a horse was a challenge. Because I'm scared of riding. I was thrown as a kid. One of my daughters is a competitive jumper, we live with horses, we have stables on our property. But I don't ride. I observe, and I worry.
In the great glasshouses streaming with condensation, the children in mourning-dress beheld marvels.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
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