Among writers, if you don't have a therapist, it's like saying you don't keep a journal or use the thesaurus. It's a natural accompaniment.
Amy TanRead
He asked if he could recite a poem he had written that morning: 'You speak,' he said, 'the language of shooting stars, more surprising than sunrise, more brilliant than the sun, as brief as sunset. I want to follow its trail to eternity.
Interpretation
The quote expresses the beauty and transience of poetic language, likening it to celestial phenomena.
In this quote, Amy Tan captures the essence of poetry as a profound form of expression that transcends time and space. The speaker is enchanted by the poetic language of another, describing it with vivid imagery of shooting stars and sunrises, which symbolize the fleeting yet impactful nature of such expressions. It conveys a desire to embrace the depth of artistic creativity and the longing to grasp something eternal in the beauty of words.
In practice
This quote can be used in a speech about the importance of art in expressing human emotions.
Among writers, if you don't have a therapist, it's like saying you don't keep a journal or use the thesaurus. It's a natural accompaniment.
Her education only made her unhappy thinking about it - that no matter how much she changed her life, she could not change the world that surrounded her.
You can't have intentions without consequences. The question is, who pays for the consequences? Saving fish from drowning. Same thing. Who’s saved? Who’s not?
I am fascinated by language in daily life: the way it can evoke an emotion, a visual image, a complex idea, or a simple truth.
Even if I had expected it, even if I had known what I was going to do with my life, it would have knocked the wind out of me. When something that violent hits you, you can't help but lose your balance and fall. And after you pick yourself up, you realize you can't trust anybody to save you- not your husband, not your mother, not God. So what can you do to stop yourself from tilting and falling all over again?
And for all those years, we never talked about the disaster at the recital or my terrible accusations afterward at the piano bench. All that remained unchecked, like a betrayal that was now unbreakable. So I never found a way to ask her why she had hoped something so large that failure was inevitable. And even worse, I never asked her what frightened me the most: Why had she given up hope?
Write because you love the art and the discipline, not because you're looking to sell something.
My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers... They say, 'We came to liberate you....' I say: 'Listen, I think it was quite different. I saw people being killed.' They say: 'No. We never... no shooting. No. No.' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there.' And they have to believe me.
It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.
Before I compose a piece, I walk round it several times, accompanied by myself.
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
When asked, 'How do you write?' I invariably answer, 'one word at a time.'
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