I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
Antonin ArtaudRead
Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
Interpretation
This quote emphasizes the harsh and uncompromising nature of theatre that can evoke strong emotions.
Antonin Artaud suggests that true cruelty in theatre involves a relentless commitment to intensity and clarity in performance. It reflects how the art form demands absolute focus and discipline from its creators, leading to powerful, often challenging experiences for both the actors and the audience.
In practice
In a theatre class discussing the emotional impact of performances.
I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat.
If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .
In consciousness dwells the wondrous, with it man attains the realm beyond the material, and the Peyote tells us, where to find it.
Painting, like any art, comprises a technique, a workmanlike handling of material, but the accuracy of a tone and the fictitious combination of effects depend entirely on the choice made by the artist.
I am sure that as a woman I can do a very good skyscraper.
Donβt underestimate this gift of finding a place in the writing world: if you really work at describing creatively on paper the truth as you understand it, as you have experienced it, with the people or material who are in you, who are asking that you help them get written, you will come to a secret feeling of honor.
I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
For me, the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny. Whether working with a human figure or a still life, I am deeply aware of my spiritual connection with it. In my life, as in my work, I am motivated by a great yearning for balance and harmony beyond the realm of human experience, reaching for the essence of oneness with the Universe.
Flowers construct the most charming geometries: circles like the sun, ovals, cones, curlicues and a variety of triangular eccentricities, which when viewed with the eye of a magnifying glass seem a Lilliputian frieze of psychedelic silhouettes.
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