First we draw what we see; then we draw what we know; finally we see what we know.
Robert Beverly HaleRead
I can hold a cup of sake on a full moon in Japan, and the reflection of the moon in that little cup can make me feel so enthusiastic about beauty. That one good, magical moment can give me enough to create other things like the teardrop earring or necklace.
Interpretation
The quote expresses how a simple moment of beauty can inspire creativity and appreciation for art.
In this quote, Elsa Peretti reflects on how a seemingly small experience—a cup of sake reflecting the full moon—can evoke powerful feelings of beauty and inspiration. Such moments can serve as a catalyst for creativity, leading to the creation of beautiful objects, like jewelry, which embody that enthusiasm and appreciation for art and nature.
In practice
This quote could be used in a speech about finding inspiration in everyday moments.
First we draw what we see; then we draw what we know; finally we see what we know.
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
I paint and work as a sculptor, and I see architecture as an art... If you follow this approach you can use techniques to the service of man and to the service of an artistic idea, and beauty.
Just give a drum roll, announce my name & I come out & sing. I have a contract that says I'm a singer. So I sing.
He asked, "what makes a man a writer?" "well," I said, "it's simple, it's either you get it down on paper or you jump off a bridge. writers are desperate people and when they stop being desperate they stop being writers." "are you desperate?" "I don't know.
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
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