Free election of masters does not abolish the masters or the slaves.
Herbert MarcuseRead
Behind the aesthetic form lies the repressed harmony of sensuousness and reason
Interpretation
The quote suggests that beneath beauty lies a balance between emotion and logic.
Herbert Marcuse's quote implies that aesthetic forms in art and life are often shaped by a deep-seated harmony between our sensory experiences and rational thought. It highlights the interplay between passion and intellect, suggesting that true beauty arises from a synthesis of these elements rather than from a superficial or disconnected approach to aesthetics.
In practice
In a presentation about the role of art in society.
Free election of masters does not abolish the masters or the slaves.
Contemporary industrial society is now characterised more than ever by "the need for stupefying work where it is no longer a real necessity."
The existing liberties and the existing gratifications are tied to the requirements of repression: they themselves become instruments of repression.
Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world.
By virtue of the way it has organized its technological base, contemporary industrial society tends to be totalitarian. For "totalitarian" is not only a terroristic political coordination of society, but also a non-terroristic economic-technical coordination which operates through the manipulation of needs by vested interests.
However, if "free choice" means more than a small selection between pre-established necessities, and if the inclinations and impulses used in work are other than those preshaped by a repressive reality principle, then satisfaction in daily work is only a rare privilege.
Art is art, nature is nature, you cannot improve upon it.... Pictures should be inspired by nature, but made in the soul of the artist. It is the soul of the individual that counts.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
The need to write comes from the need to make sense of one's life and discover one's usefulness.
When you write, you want to get rid of the world, don’t you? Of course you do. When you’re writing, you’re creating your own worlds.
There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully.
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