If I could tell you what it meant, there would be no point in dancing it
Isadora DuncanRead
The dancer of the future will be one whose body & soul have grown so harmoniously together that the natural language of the soul will have become the movement of the body.
Interpretation
The ideal dancer embodies a deep connection between physical movement and inner expression.
Isadora Duncan emphasizes the profound relationship between a dancer's physicality and their inner emotional and spiritual life. In her vision of the future, she suggests that the most exceptional dancers will move in ways that naturally express their souls, indicating that true artistry comes from a harmonious integration of one's essence and physical expression.
In practice
When discussing the importance of emotional expression in art, you could use this quote to illustrate your point.
If I could tell you what it meant, there would be no point in dancing it
A dancer, if she is great, can give to the people something that they can carry with them forever. They can never forget it, and it has changed them, though they may never know it.
Master technique, so that technique NEVER prevents you from dancing.
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
I have only danced my life. As a child I danced the spontaneous joy of growing things. As an adolescent, I danced with joy turning to apprehension of the first realisation of tragic undercurrents; apprehension of the pitiless brutality and crushing progress of life.
There are likewise three kinds of dancers: first, those who consider dancing as a sort of gymnastic drill, made up of impersonal and graceful arabesques; second, those who, by concentrating their minds, lead the body into the rhythm of a desired emotion, expressing a remembered feeling or experience. And finally, there are those who convert the body into a luminous fluidity, surrendering it to the inspiration of the soul.
I read a great deal of science fiction with consummate pleasure between, say, the ages of 12 and 16. Then I got away from it. In my mid- to late 20s, I started trying to write it.
Drawing is not the same as form, it is a way of seeing form.
It's always a nice feeling, having people think that you feel things much deeper than you're allowed to say, but this isn't true. If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
The music we play has to be tomorrow's, the things we say have to be today, and the reason for bothering is yesterday.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
What's the point of rap if you can't be yourself, huh?
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