If I could tell you what it meant, there would be no point in dancing it
Isadora DuncanRead
A dancer, if she is great, can give to the people something that they can carry with them forever. They can never forget it, and it has changed them, though they may never know it.
Interpretation
Great dancers leave a lasting impact on their audience, altering their perception and emotional state.
Isadora Duncan emphasizes the profound influence a talented dancer can have on their audience. Such performances resonate deeply, creating lasting memories and personal transformations in viewers, even if they may not consciously recognize the change.
In practice
Using this quote at a dance recital to highlight the importance of emotional expression in performance.
If I could tell you what it meant, there would be no point in dancing it
The dancer of the future will be one whose body & soul have grown so harmoniously together that the natural language of the soul will have become the movement of the body.
Master technique, so that technique NEVER prevents you from dancing.
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
I have only danced my life. As a child I danced the spontaneous joy of growing things. As an adolescent, I danced with joy turning to apprehension of the first realisation of tragic undercurrents; apprehension of the pitiless brutality and crushing progress of life.
There are likewise three kinds of dancers: first, those who consider dancing as a sort of gymnastic drill, made up of impersonal and graceful arabesques; second, those who, by concentrating their minds, lead the body into the rhythm of a desired emotion, expressing a remembered feeling or experience. And finally, there are those who convert the body into a luminous fluidity, surrendering it to the inspiration of the soul.
Every time I paint a portrait I lose a friend.
Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing -to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.
Sometimes I long so much to do landscape, just as one would go for a long walk to refresh oneself, and in all of nature, in trees for instance, I see expression and a soul.
I feed on good soup, not beautiful language.
It is your work in life that is the ultimate seduction.
I believe that one of the secret engines that allows cinema to work, and have the marvelous power over us that it does, is the fact that for thousands of years we have spent eight hours every night in a 'cinematic' dream-state, and so are familiar with this version of reality.
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