If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
Pedro AlmodovarRead
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Interpretation
The quote emphasizes the director's creative control over the visual aspects of a film.
Pedro Almodovar highlights the collaborative nature of filmmaking, attributing the lighting to his directors of photography while asserting that the aesthetic choices, such as colors and designs of sets and costumes, are his artistic contribution. This underscores the importance of both collaboration and individual vision in the creation of cinematic art.
In practice
During a film festival panel discussing the importance of visual storytelling.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
I’ve learned what ‘classical’ means. It means something that sings and dances through sheer joy of existence.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.
There is a twinge of abandonment that comes with being a member of the African Diaspora. But 'Black Panther' fearlessly introduces and then complicates this and other deeply held albeit rarely expressed emotions; that indeed is what makes this film so profoundly innovative.
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