If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
Pedro AlmodovarRead
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Interpretation
The quote emphasizes the director's creative control over the visual aspects of a film.
Pedro Almodovar highlights the collaborative nature of filmmaking, attributing the lighting to his directors of photography while asserting that the aesthetic choices, such as colors and designs of sets and costumes, are his artistic contribution. This underscores the importance of both collaboration and individual vision in the creation of cinematic art.
In practice
During a film festival panel discussing the importance of visual storytelling.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
Pornography is any act that has no artistic merit and causes sexual thoughts...Sounds like almost every commercial on TV to me.
In a Cafe" I watched a man in a cafe fold a slice of bread as if he were folding a birth certificate or looking at the photograph of a dead lover.
Often I don't know what the song means until it's finished. Sometimes months later. I don't think that's bad. It implies that I don't know what I'm doing but-I think if you're able to follow your instincts, then that's knowing what you're doing.
Music is never stationary; successive forms and styles are only like so many resting-places - like tents pitched and taken down again on the road to the Ideal.
Every canvas is a journey all its own.
To have great poets, there must be great audiences.
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