We all steal, but if we're smart we steal from great directors. Then, we can call it influence.
Krzysztof KieslowskiRead
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.
Interpretation
Documentaries capture real-life stories, but trust and honesty can expose subjects to harm.
This quote by Krzysztof Kieslowski highlights the delicate balance between the intention of documentaries to portray authentic experiences and the potential consequences of revealing personal truths. It underscores the ethical implications of storytelling, where the vulnerability of subjects may lead to unintended negative outcomes if their stories are misused or misunderstood.
In practice
In a film discussion, you might quote Kieslowski to emphasize the ethical responsibilities of filmmakers.
We all steal, but if we're smart we steal from great directors. Then, we can call it influence.
For 6,000 years, these rules have been unquestionably right. And yet we break them every day. People feel that something is wrong in life. There is some kind of atmosphere that makes people now turn to other values. They want to contemplate the basic questions of life, and that is probably the real reason for wanting to tell these stories.
Things have changed for the worse. That's why former eastern bloc countries are electing communists again. We are missing them and longing for the times we cursed before.
I like chance meetings - life is full of them. Every day, without realising it, I pass people whom I should know.
Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.
The television industry doesn't like to see the compexity of the world. It prefers simple reporting, with simple ideas: this is white, that's black; this is good, that's bad.
The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
I watch people who are not driven by creativity any more, and I think how dull it must be to produce the same kind of thing. If you don't feel you're reaching something new, then don't do it.
I'd like to play for you one of my compositions, my only composition.
Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.
Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
Colour is the touch of the eye, Music to the deaf, A word out of darkness.
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