My advice: Don't waste so much time worrying about your skin or your weight. Develop what you do, what you put your hands on in the world.
Meryl StreepRead
I say to myself, 'I don't know how to act - and why does anybody want to look at me on-screen anymore?' ... Lots of actors feel that way. What gives you strength is also your weakness - your raging insecurity.
Interpretation
Insecurity can drive creativity, but it can also be a source of doubt.
Meryl Streep's quote reflects the duality of an actor's experience, highlighting how insecurity can be both a motivating force and a crippling weakness. She acknowledges that many actors share this feeling of uncertainty about their talents and appeal, suggesting that the very traits that fuel their passion may also hinder their confidence.
In practice
During an acting workshop while discussing performance anxieties.
My advice: Don't waste so much time worrying about your skin or your weight. Develop what you do, what you put your hands on in the world.
Acting is not about being someone different. It's finding the similarity in what is apparently different, then finding myself in there.
I believe in imagination. I did Kramer vs Kramer before I had children. But the mother I would be was already inside me.
I believe in a world of opposites and that’s why I avoid people with rigid and inflexible personalities.
Service is the only thing that's important about love. Everybody is worried about 'losing yourself' - all this narcissism. Duty. We can't stand that idea now either... But duty might be a suit of armor you put on to fight for your love.
Integrate what you believe in every single area of your life. Take your heart to work and ask the most and best of everybody else, too.
The movie, by sheer speeding up of the mechanical, carried us from the world of sequence and connections into the world of creative configurations and structure.
I was very honored to get to be part of 'American Idol.'
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience.
You can't have it all one way - be on the telly and the radio and make lots of money - and not offer anything to your followers when they need you.
He realised, more vividly than ever before, that art had two constant, two unending preoccupations: it is always meditating upon death and it is always thereby creating life.
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