Tell troth and shame the devil.
Ben JonsonRead
Queen and huntress, chaste and fair Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light Goddess, excellently bright.
Interpretation
The quote celebrates the beauty and peace of the night, invoking imagery of celestial bodies.
In this poem, Ben Jonson personifies Hesperus, the evening star, as a goddess who brings light and serenity to the night. The imagery emphasizes the tranquil beauty of nighttime, contrasting it with the sun's departure, while also inviting the reader to appreciate the majesty of celestial elements and their influence on life.
In practice
This quote can be used in a poetry reading to emphasize the beauty of the night.
Tell troth and shame the devil.
We are persons of quality, I assure you, and women of fashion, and come to see and to be seen.
All concord's born of contraries.
I know no disease of the soul but ignorance, a pernicious evil, the darkener of man's life, the disturber of his reason, and common confounder of truth.
You are not now to think what's best to do, _x000D_ As in beginnings, but what must be done, _x000D_ Being thus enter'd; and slip no advantage _x000D_ That may secure you. Let them call it mischief; _x000D_ When it is past, and prosper'd , 'twill be virtue.
Very few men are wise by their own council, or learned by their own teaching. For he that was only taught by himself, had a fool for a master.
The Theatre of the Oppressed is theatre in this most archaic application of the word. In this usage, all human beings are Actors (they act!) and Spectators (they observe!).
Reality is the richest thing there is, the most important thing there is. Our imagination allows us to live an artificial life that is wonderful, extremely rich, but I don't believe any artist would dare to say that artifice is better than real life.
I hope people don't compare 2D and 3D because 3D's new, it's unfair to compare to 2D which is really sophisticated, even when we're jaded about it. 3D just began, give it a chance, let the equipment and projection system catch up and be better, let the price go down, let more filmmakers get a hold of it more easily.
It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and importance to artists, scholars and the general public.
I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!
The artist is nothing without the gift, but the gift is nothing without work.
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