Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
Don't say 'wife.' I'm your mistress. Wife's such an ugly word. Your 'permanent mistress' is so much more tangible and desirable… .
Interpretation
What this quote means
This quote reflects on the complexities of love and attachment, suggesting that terms of endearment can be more meaningful than societal labels.
F. Scott Fitzgerald's quote captures the nuanced emotions surrounding relationships, particularly the distinctions between traditional labels like 'wife' and more passionate ones like 'mistress.' The speaker implies that the term 'mistress' conveys a sense of intimacy and desire that transcends conventional definitions of partnership, highlighting that what matters is the depth of connection rather than societal expectations.
Themes
In practice
Example use cases
During a romantic dinner, you might share this quote to discuss the complexities of commitment.
More from F. Scott Fitzgerald
All quotes →The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
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