As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
Double, double, toil and trouble; Fire burn, and cauldron bubble!
Interpretation
This quote evokes a sense of dark magic and foreboding.
In this iconic line from Shakespeare's 'Macbeth,' the witches chant a spell that captures the essence of chaos and the supernatural. The imagery of fire and bubbling cauldrons illustrates the brewing of dark forces, reflecting themes of fate, ambition, and the consequences of meddling with the unknown.
In practice
This quote can be used during a dramatic reading of 'Macbeth' to emphasize the eerie atmosphere.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
Fashion is only the attempt to realize art in living forms and social intercourse.
It’s such a fun job, and it can be silly and light and about making people laugh. I think I was doing it a disservice by thinking it’s not something ultimately important. I always was saying, ‘I’m not saving lives; I’m not a brain surgeon.’ And that’s true—I’m not saving anyone from any life-threatening illnesses. But I get to tell stories, and that’s a pretty important task.
IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.
Art should be appreciated with passion and violence, not with a tepid, depreciating elegance that fears the censoriousness of a common room.
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