I want to do work that means something to me so that when I go to work at the theater eight times a week, I want to be there.
Billy PorterRead
For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.
Interpretation
True emotional connection to art is essential for genuine expression.
Billy Porter's quote emphasizes the importance of authenticity and emotional resonance in artistic expression. He suggests that mere enjoyment of material is insufficient; true artistry demands a deeper connection to the content, indicating that artists should prioritize meaningful engagements over superficial performances.
In practice
In a speech at an art festival, one could use this quote to inspire artists to seek genuine connections with their work.
I want to do work that means something to me so that when I go to work at the theater eight times a week, I want to be there.
When you grow up in the church, the only translation in that insular world that people understand is preaching. You're supposed to be a minister. So I was going down that path, and then I saw the Tonys.
I took 'Grease' to play my trump card, my voice, and get attention that would lead to auditions for serious work like 'Angels in America.' But I backed myself into a corner with 'Grease,' and it took me 17 years to get out.
I was fine being in the closet at the beginning of my career because that's what you were supposed to be - until I realized that it didn't serve anybody, and I was left feeling utterly empty. This is who I am, so I've gotta be me.
I grew up when one of America's greatest black playwrights, August Wilson, was writing about life in Pittsburgh, but I never saw myself in any of his straight-male plays. And then I see 'Angels,' which was so honest and painful, and it had this black drag queen in it, Belize, with a big heart. I finally had a character to relate to.
There was a time in the '90s where, as an African-American man, you had to be a misogynistic R&B star or a rapper, and I didn't fit into either one of those. I was advised by my label to remain closeted at that time.
I detest talking about myself. There is a reason why people pick up an instrument and put it between themselves and the rest of the world.
From my spirit's gray defeat, From my pulse's flagging beat, From my hopes that turned to sand Sifting through my close-clenched hand, From my own fault's slavery, If I can sing, I still am free. For with my singing I can make A refuge for my spirit's sake, A house of shining words, to be My fragile immortality.
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical things for my novels.
It is only by presenting those portions of the race in my pictures, in the light and backround of their true state, that we can raise our people to greater heights.
I dreamt of being a writer once I started to read. I started to write 'Bonjour Tristesse' in bistros around the Sorbonne. I finished it, I sent it to editors. It was accepted.
There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.
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