For a movie - any movie - to work, all the bread has to fall jelly side up; everything has to go right. You have to hit the zeitgeist.
Jon FavreauRead
There's no doubt I was a bit of a misfit in the Hollywood of the forties. The race for glamour left me far behind. I didn't really want to keep up. I wanted my stardom without the usual trimmings. Because of this, I was branded a rebel at the very least. But I don't regret that for a minute. My appetite was my own and I simply wouldn't have it any other way.
Interpretation
The quote reflects an individual's rejection of societal expectations for fame and glamour in favor of authenticity.
Veronica Lake's quote expresses her experience as a 'misfit' in Hollywood during the 1940s, highlighting her desire for genuine stardom without conforming to the typical glamorous image promoted in the industry. She embraces her identity as a rebel who prioritized personal satisfaction and authenticity over public approval, finding peace in her choices and rejecting societal pressures.
In practice
In a speech about individuality at an art event, this quote could inspire artists to embrace their unique styles.
For a movie - any movie - to work, all the bread has to fall jelly side up; everything has to go right. You have to hit the zeitgeist.
I was attracted to science fiction because it was so wide open. I was able to do anything and there were no walls to hem you in and there was no human condition that you were stopped from examining.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
Films are neither true nor false. That includes my films, as well as others. They may make claims that are true or false, but films are too complex. They have too many ingredients.
One day you pick up the guitar and you feel like a great master, and the next day you feel like a fool. It’s because we’re different every day, but the guitar is always the same…beautiful.
I could hear it sometimes, but I couldn't play it. I'd been getting bored with the stereotyped changes that were being used. I found that by using the higher intervals of a chord as a melody line and backing them with related changes, I could play the thing I'd been hearing.
Subscribe for the occasional hand-picked quote. No noise.